How-To #8, Sketch Cards

Probably the most frequent question I get is "How do you do them?" or "What do you use on your Sketch Cards?"  Although I have done one of these "How to's" a few years ago, I thought it was about time I did another one and this latest set, Marvel Dangerous Divas, seemed perfect for it. As posted earlier, all the cards in this set will be 2 card puzzles. I had also planned one 4-card puzzle as something a little extra special and will be using that one for this demo.

 Onward.

Yes, I do put a lot of thought into each card. I like to know what I'm drawing before I start. I'll even go as far as to set up a list of the entire set before I even start the first card. Especially on sets like the Marvel 70th or the DIvas set where I knew I was doing puzzles and wanted them themed in some way and the characters being paired up should be related in some fashion. So I'll do a lot of research before hand.

  For this puzzle, I wanted to get the Lady Liberators all together and after researching their history, I figured the newer incarnation battling Red Hulk would be the coolest. I tried laying it out with all 10 characters on 2 cards but quickly came to the conclusion that 4 cards would be even cooler. (and much easier to layout)

 

I decided to do the roughs on a separate paper as the card stock was some of the worst to work on. It bled and sucked up color like a sponge and I was worried that, knowing there would be a lot of erasing, I would f-up the paper even more. Sometimes you have to just shut up and deal with what you get and make it work. 

So for this puzzle I scanned my roughs, opened them up in Photoshop, rearranged, adjusted, resized, and put together the final rough on the computer and saved myself a shitload of time.

 

Focusing back on the card stock, I needed to prep them for the puzzle. I cut them down to size, connected, and taped them up. Through trial and error, I learned these cards needed a good spraying before hand to slow down the "sucking" process. I used a coat of Matte Finish and a coat of Acrylic Coating from cans I had lying around and this worked great when it came time to color.

 

Once the cards were dry, I fed it through my printer and printed out the rough in a light non-photo blue right on the board. From there I went right in with pencil to flesh out and rework bits here and there. I usually go right to inks after I tighten up things like faces and hands.

 

I like inking mostly with a brush and India ink as it goes quicker and you get a more permanent and interesting line than with a marker. I also tend to put in more blacks this way which always makes it look better. I save details like faces, hands, and little stuff for Microns.

 

I have an array of Watercolor and Ink pencils I use for the base colors and will get most of it down before I hit it with any water. I'll go in afterward with some Dyes to really punch up the color, darken areas that need it and make the contrast stronger.

 

Now that it's almost done, I'll go in with White Out, Graphic White, or a thick White Gouache to add in highlights or emphasize certain areas.

 

Once I'm happy with the finished piece (or at least when I think I've officially spent too much time on one piece) I'll sign it up, cut it down and make a good scan for my records.

 

 So there it is.

I do believe this will be the last one I do like this as it took some time with the pictures, scans, typing, and posting. I do believe I will be looking into setting up for Live streams and video as it looks so much easier getting it out there and I like the idea of fan interaction. (Warning: I'm a hummer when I get lost in a drawing - I'll work on it)

Thanks for following along.

Later

WM

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Warren Martineck

CECE Promo Card #7

Tuesday, 2:00 pm
  Well, I think I've got most of the minor Flats all done at this point. Although I'm sure I'll be altering some of the color choices, I've been told not to worry about the Flat colors too much. I tend to dwell on colors right off the bat and worry about them the whole time.

Anyway, there's not much left to do before I start going in with details. This is the fun part.

Later
WM

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Warren Martineck

CECE Promo Card #6

Tuesday 11:00 am
  Ok, I was a little slow getting up today but I've got the ball moving and I've got  a few good hours in already.

I remembered Shard has a big Scorpion tattoo on his back so I designed and drew that separately and I'll add it as an overly later on in the color process. This is only my second or third thing I've colored on the computer and a few months since the last one, so your not getting any Artist's tips from me on this one. I've got my How to Color Comics reference book open to help remind me how to do this correctly and speed up the process.
Up to this point I've got all my main Flats in and I'm ready to continue on.

 I would love to have used this piece as a practice subject to learn how to digitally paint, as that's what I'm really interested in learning. But this has to ship out at some point.

Later
WM

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Warren Martineck

How-To #5; CECE Promo Card #5

Monday 4:30 pm

  My work day seems to be based around meals, snacks, and food. Mexican strikes again as I just enjoyed a great snack of nachos. With a Diet Mountain Dew chaser to counter the effects of getting up at an unholy hour.

  Here's the scan of the card now fully Inked. I mostly used a brush and various sizes of Microns and now it's ready for the next stage. From here on in it will all be computer work.

  I will need to take a break at this point as the clock is telling me real life needs to start happening soon. I hope to get back to this tonight and maybe get one more post in before bed.

Until then...

Later
WM

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Warren Martineck

How-To #4; CECE Promo Card #4

Monday, 1:00 PM

 Lunch was good, lots of leftovers from the Mexican themed party we had over the weekend.

... And I decided to go with Card "A". The main reasons were; even though the action in B was better, the figure looked a bit out of control and didn't quite fit with Shards character. Card A's figure being more in control with a steady stance felt more right. The flow of the chain whip in card A also felt better and less crowded than it is in card B. On top of all that, lately, in honor of Frazetta's passing, I've been meaning to do a piece where the main subject had their back to the camera. (something he did often) Seeing as how I already have pics of shards face I thought this would be a good time to switch things up.

  What I did was take the rough in Photoshop and add it to one of my Trading Card masters that has all the measurements and crop marks all ready worked out. Here I can adjust the piece, move the figure around a bit, adjust the size or whatever. I then turn the dark pencil lines into a very light Blueline drawing and print the whole thing out on good paper. This is where I go at it with some tight pencils and figure out the little details.

I was having a bitch of a time with the dead (Ogre's?) left hand and redrew that thing over and over. I finally broke out the camera and took a ref photo to make it easier on myself. Now that I have it tight enough and to a point where I'm happy with it, I'll move on to the next stage.

Later
WM

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Warren Martineck